A few of the festival’s highlight features:

• The Autobiography of Nicolae Ceausescu (Autobiografia lui Nicolae Ceausescu), 2010, directed by Andrei Ujica
• Aurora, 2010, directed by Cristi Puiu
• Kino Caravan (Caravana cinematografica), 2009, directed by Titus Muntean – U.S. Premiere
• Medal of Honor (Medalia de onoare), 2009, directed by Calin Peter Netzer – N.Y. Premiere
• Portrait of a Fighter as a Young Man (Portretul luptatorului la tinerete), 2010, directed by Constantin Popescu – U.S. Premiere
• Tuesday, after Christmas (Marti, dupa Craciun), 2010, directed by Radu Muntean

Women on the Move

• First of All, Felicia (Felicia, inainte de toate), 2009, directed by Razvan Radulescu & Melissa de Raaf – N.Y. Premiere
• Francesca, 2009, directed by Bobby Paunescu – N.Y. Premiere
• Stuck on Christmas (Captivi de Craciun), 2009, directed by Iulia Rugina – U.S. Premiere

Docs / Focus HBO Romania

• Merry Circus (Circul vesel), 2009, directed by Claudiu Mitcu – U.S. Premiere
• The Shukar Collective Project, 2010, directed by Matei-Alexandru Mocanu – U.S. Premiere
• The World According to Ion B. (Lumea vazuta de Ion B.), 2009, directed by Alexander Nanau

Closing Night

• Carnival Scenes (De ce trag clopotele, Mitica?), 1981, directed by Lucian Pintilie

Shorts

• The Cage (Colivia), 2010, directed by Adrian Sitaru
• Lord, 2010, directed by Adrian Sitaru
• Oxygen (Oxigen), 2010, directed by Adina Pintilie
• Trolleybus 92 (Troleibuzul 92), 2009, directed by Stefan Constantinescu
• Urban Groove, 2010, directed by Ruxandra Ghitescu

Chirilov states, “New Romanian Cinema was born in 2001 and as of 2005 became the thing on the international film scene. So, 2010 is a natural time for a new beginning. After a 5-year gap since his worldwide breakthrough with The Death of Mr. Lazarescu, Cristi Puiu is back with his new and anticipated film, Aurora, the very title of which implies a new beginning. Andrei Ujica’s The Autobiography of Nicolae Ceausescu, is closing a chapter of the recent Romanian history, offering a brand new, hotly debated and much-needed perspective on the national anti-hero. Most of the new films’ characters are longing for a new start, be it the unfaithful husband in Tuesday After Christmas, the guilty father in Medal of Honor, or the women challenged by the contexts of their lives in both Francesca and First of All, Felicia. Challenging the aesthetic of the Romanian New Wave as we know it, with a focus on characters stuck in limbo, this year’s abundant crop of New Romanian Cinema is the perfect mirror of a society at a crossroads desperately looking for a new path to follow.”

The special guest of this year’s festival is legendary Romanian stage and screen actor Victor Rebengiuc (Carnival Scenes, Medal of Honor, Tuesday, after Christmas). Also in attendance at the festival will be actresses Monica Barladeanu (Francesca), Mariana Mihut (Carnival Scenes), Ozana Oancea (First of All, Felicia, Stuck on Christmas), director/producer Bobby Paunescu (Francesca, Aurora), producer Andrei Cretulescu (Merry Circus, The Shukar Collective Project, The World According to Ion B.), producer/director Tudor Giurgiu, director of the Transilvania International Film Festival, Professor Vladimir Tismaneanu, and film critic Alex Leo Serban.

The Romanian Film Festival in New York City was initiated in 2006, and is a partnership of the Romanian Cultural Institute in New York with the Transilvania International Film Festival and Tribeca Cinemas. Since its inception, the festival has featured great works of contemporary Romanian cinema such as The Death of Mr. Lazarescu by Cristi Puiu; 4 Months, 3 Weeks and 2 Days by Cristian Mungiu; California Dreamin’ (endless) by Cristian Nemescu; and, 12:08 East of Bucharest by Corneliu Porumboiu. The Festival is also devoted to revisiting landmark Romanian films, and has presented great works such as Reenactment and The Oak by master filmmaker Lucian Pintilie.

The Romanian Cultural Institute in New York (RCINY) aims to promote Romanian culture throughout the U.S. and internationally, and to build sustainable, creative partnerships among American and Romanian cultural organizations. The Institute acts as a catalyst and proponent of initiatives across artistic fields, striving to foster understanding, cultural diplomacy, and scholarly discourse by enriching public perspectives of contemporary Romanian culture. For the past five years, RCINY has been an active enabler and supporter of the presentation and promotion of Romanian cinema in the U.S.